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Music Review: Blondshell alt-rock finds new nuance on 'If You Asked for a Picture'

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NEED RELEASE - This album cover image released by Partisan Records shows If You Asked For A Picture by Blondshell. (Partisan Records via AP)

Sabrina Teitelbaum, who records under is a longtime student of alt-rock. She knows a thing or two about all the ways in which a cutting lyric and thunderous guitar can rejuvenate the soul and soundtrack rage. On her sophomore album, If You Asked for a Picture, named after she builds from the success of her earlier work 2023s self-titled debut and its haunting single Salad.

Over the course of 12 tracks, much like on her first album, Blondshell reckons with a womans role in her various relationships, personally and societally. Those messages gritty, real, existential and fluid as they are arrive atop visceral instrumentation, hearty guitars and punchy percussion.

Oh well you're not gonna save him, she reminds listeners in Arms.

Much of If You Asked for a Picture sits at the intersection of and like that of Event of a Fire. On the acoustic fake-out Thumbtack, instrumentation builds slow and remains restrained. Man is muscular, with its soaring distortion and layered production.

On If You Asked for a Picture, relationships are nuanced, awkward and honest her flawed and frustrated characters show how easy it is to succumb to the whims of someone who doesnt have your best interest in mind, to become someone else when you dont know who you are.

Thats clear on Change, where she sings, Its not my fault its who I am / When I feel bad I bring it back and leave it all at your door. And the anxious complications compound: A parting gift / Kiss me back / Im sorry for changing.

If there is a main weakness in If You asked for a Picture, it is that a number of the tracks bleed together sonically near the records end, making it hard to distinguish a three-song run: Toy to Man. Fans will likely label it stylistic consistency rather than tiresome repetition.

That said, theres a lot to love here. T&A, Model Rockets and the palm-muted power chords of Whats Fair warrant repeat listens.

Why dont the good ones love me? Blondshell asks on T&A, with its dreamy guitar tone Watching him fall / Watching him go right in front of me.

The swaying mellotron of Model Rockets

Im a bad bad girl / Bad bad girl, she adds to the closer. Life may have been happening elsewhere / And I dont know what I want anymore.

It might serve as a mission statement for the album where identity and desire are malleable, influenced by relationships and the evolving nature of the world, made more complicated by simply being a woman in it.

Rachel S. Hunt, The Associated Press

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