Ahead of the 96th on March 10, Associated Press Film Writers and share their predictions.
BEST PICTURE
Nominees: American Fiction; Anatomy of a Fall; Barbie; The Holdovers; Killers of the Flower Moon; Maestro; Oppenheimer; Past Lives; Poor Things; The Zone of Interest.
BAHR: It will be ." It's not just because it's won : This is a recognition thats a long time coming for and , who have been nominated for best picture twice before, for Inception and Dunkirk, but whose influence and impact on the industry and even the Oscars has extended far beyond a simple nomination tally (including leading a charge to save film). But perhaps it was worth the wait to get this moment with a film like ."
COYLE: Its Oppenheimer all the way, and the only question is how many awards it ultimately walks away with. (Ill say eight.) But lets hear it for one of the best best-picture fields in recent memory. Theres not really a clunker in the mix this year. The nominees run from epic to indie, blockbuster to arthouse. Youve got more comedy than usual, too, including Barbie and her wicked twin, Poor Things.
BEST ACTRESS
Nominees: Annette Bening, Nyad; Lily Gladstone, Killers of the Flower Moon; Sandra H羹ller, Anatomy of a Fall; Carey Mulligan, Maestro; Emma Stone, Poor Things.
COYLE: On a night that should be kinda predictable, this is going to a nail-biter. (Killers of the Flower Moon) and Emma Stone (Poor Things) are seemingly in a dead heat, with odds-makers splitting them evenly. Im going to give the edge to Gladstone, whos coming off a big win at and has history riding on her potential victory. She would be the first Native American to win an Oscar, a prospect that Saturday Night Live joked has her fellow nominees saying, Please dont let us win. Stone, though, is absurdly good in Poor Things and her chances cant be dismissed. She won at the BAFTAs and international Oscar voters are increasingly tilting close races.
BAHR: You know its a tough year when the other three very accomplished and utterly committed performances arent even in the conversation. I want Gladstone to win, but something is telling me that Stone is going to be the one up that stage (and no, its not Searchlight or her publicists whispering in my ear).
BEST ACTOR
Nominees: Bradley Cooper, Maestro; Colman Domingo, Rustin; Paul Giamatti, The Holdovers; Cillian Murphy, Oppenheimer; Jeffrey Wright, American Fiction.
BAHR: This is going to be one of the bigger hold your breath moments on Oscars night as we wait to hear if best actor goes to or . Neither have won this award before and both gave undeniably great and memorable performances, both of which involved copious drinking and different kinds of regret, but only one of which gave the actor the chance to melodically slur Monet, Manet, Picasso and then, well, fart. I do think that Murphy, who has not won any Oscars, caught the wave, however, and will get the trophy for his singularly internal portrayal of an impossibly complex giant.
COYLE: As much as wed all like to see a knock-down, drag-it-out fight between Murphy and Giamatti two famously nice guys and much-admired character actors getting a leading-man moment that tete-a-tete just never materialized. Murphy won at both the SAGs and the BAFTAs, and I think the Oppenheimer headwinds are just too strong for Giamatti to pull it off.
BEST SUPPORTING ACTRESS
Nominees: Emily Blunt, Oppenheimer; Danielle Brooks, The Color Purple; America Ferrera, Barbie; Jodie Foster, Nyad; DaVine Joy Randolph, The Holdovers.
COYLE: This race has been a lock for months, making Randolph all but certain to cruise to her first Academy Award. Out of the three pitch-perfect performances in (the others being Giamatti and newcomer Dominic Sessa), the sensitivity of Randolphs grieving mother has made her an Oscar shoo-in.
BAHR: Indeed, and lets hope that whoever is reading the winner card gets the pronunciation of her name correctly (unlike some others this season). Psst夷ts .
BEST SUPPORTING ACTOR
Nominees: Sterling K. Brown, American Fiction; Robert De Niro, Killers of the Flower Moon; Robert Downey Jr. Oppenheimer; Ryan Gosling, Barbie; Mark Ruffalo, Poor Things.
BAHR: Its just going to be an Oppenheimer night and we can all assume that . will be the one bounding up to the stage to accept. The last time he was nominated was in 2008, for Tropic Thunder, and his win will not just be for playing the vindictive Lewis Strauss but, kind of like Jamie Lee Curtis last year, an overdue acknowledgement of his lifetime in entertainment. Plus, he gives good speech and Im sure hes saving the best for last.
COYLE: Honestly, what a strong group of nominees. Downey will win his first Oscar, which no one would say he doesnt deserve (though I would have handed it to him for Kiss Kiss Bang Bang). De Niro, almost half a century after winning this award for a little movie called The Godfather, Part II, is back again, doing his best work in years. Brown, who gives such a jolt, is as good as anyone working today. Ruffalo, great in everything, should someday soon get the overdue Oscar treatment Downey is receiving this year. And Gosling might be our best comic actor. Hes going to lose but only because his Ken is TOO good.
BEST DIRECTOR
Nominees: Anatomy of a Fall, Justine Triet; Killers of the Flower Moon, Martin Scorsese; Oppenheimer, Christopher Nolan; Poor Things, Yorgos Lanthimos; The Zone of Interest, Jonathan Glazer.
COYLE: : I feel like theres someone missing here? Yes, this is the site of , for Barbie director Greta Gerwig. Gosling may still be , but the hubbub has mostly subsided. (Still, Gerwig should have been nominated.) Either way, this is Nolans award, for sure. It will be his first directing Oscar, a belated coronation for . To see how seldom these chances can be, you need look no further than fellow-nominee Scorsese. He's only won it once. (Cue Gosling shriek.)
BAHR: Its such a great group, even so. And Nolan will surely be walking to the engraving station with this trophy in hand as well.
BEST DOCUMENTARY
Nominees: Bobi Wine: The Peoples President; The Eternal Memory; Four Daughters; To Kill a Tiger; 20 Days in Mariupol.
BAHR: Its a bit funny to talk about a film made by your colleagues, but its not hard when its something as great as Mstyslav Chernovs which is both an incredible documentary and the clear frontrunner in the category. Its already won a BAFTA and a DGA. It missed the PGA to a film that wasnt nominated for an Oscar (American Symphony). It is difficult to watch, but thats the point: This is a film that bears witness to the horrible things you might want to look away from urgent, timely and already an essential historical document of an atrocity that is ongoing.
COYLE: This awards season has been marked by the almost total absence of on-stage mention of the wars in Ukraine and Gaza. The great exception to that is the sober reportage contained within 20 Days in Mariupol, which harrowingly documents the early days of Russias invasion of Ukraine. It should be noted, too, that this award a year ago went to the intimate portrait of
BEST INTERNATIONAL FILM
Nominees: Io Capitano, Italy; Perfect Days, Japan; Society of the Snow, Spain; The Teachers Lounge, Germany; The Zone of Interest, United Kingdom.
COYLE: This is sure to go to The Zone of Interest, Jonathan Glazers Its a best-picture nominee, which speaks to the academys high regard for the movie. the sublime Finnish film which was shortlisted would have been my pick, though. Or easily the best film about a Tokyo toilet cleaner youll ever see.
BAHR: This is always the cruelest category, in which all of international cinema is whittled down to five nominees. Why not 10 here as well? And, youre right, when an international film also gets a best picture nomination you can usually safely bet that itll win this award at the very least. But even an Oscar seems too small for something like Glazers triumph. To quote a friend: The Zone of Interest feels more like a museum piece than a work of entertainment.
BEST ANIMATED FEATURE
Nominees: The Boy and the Heron; Elemental; Nimona; Robot Dreams; Spider-Man: Across the Spider-Verse.
BAHR: Unlike many years in the animated feature category, most of these films are richly deserving of the recognition. Spider-Man: Across the Spider Verse is probably the favorite, but because the first one already won the prize Im going with Hayao Miyazakis . Miyazaki does have two Oscars, a competitive one for Spirited Away and a honorary trophy from the academys Board of Governors. Still, whether this is his last film or not (he keeps teasing), it would be one of those cant miss moments especially since he wasnt there to accept the award for Spirited Away on the 2003 telecast (his way of protesting the Iraq War).
COYLE: This comes down to either The Boy and the Heron or I love them both, but Im going to go with the Spider-Verse sequel. It triumphed at the Annie Awards, a strong precursor, and blew the doors off what The 2018 original also won this award, so a victory for Across the Spider-Verse would be the first time the first two movies in a franchise won best animated film.
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Lindsey Bahr And Jake Coyle, The Associated Press